Details

Mixtape Nostalgia


Mixtape Nostalgia

Culture, Memory, and Representation
Critical Perspectives on Music and Society

von: Jehnie I. Burns

49,99 €

Verlag: Lexington Books
Format: EPUB
Veröffentl.: 15.10.2021
ISBN/EAN: 9781793616807
Sprache: englisch
Anzahl Seiten: 288

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Beschreibungen

<p><span>Mixtape Nostalgia: Culture, Memory, and Representation</span><span> tells the story of the mixtape from its history in 1970s bootlegging to its resurgence as an icon of nostalgic analog technology. Burns looks at the history of the mixtape from the early 1980s and the rise of the cassette as a fundamental aspect of the music industry. Stories from music fans collecting hip hop mixtapes in the Bronx or recording songs off the radio permeate the book. She discusses the continued contemporary appeal of the mixtape as musicians, novelists, memoirists, playwrights, and even podcasters have used it as a metaphor for connection and identity. From Rob Sheffield’s </span><span>Love is a Mix Tape</span><span> to Questlove’s </span><span>Mixtape Potluck Cookbook</span><span>, Burns analyzes how the mixtape can function as a plot point, a stand-in for emotional connection, or an organizing structure. The book shows how creators use the iconography of the mixtape cassette to create ephemera, from coffee subscriptions to board games, which speaks to the appreciation of the tangible and the analog. The desire to find connection through sharing a physical artifact permeates the various creative uses of the mixtape. From blockbuster films like </span><span>Guardians of the Galaxy</span><span> to mixtape throw pillows, Burns highlights the mixtape as a site of collective memory tied to youth culture, community identity, and sharing music.</span></p>
<p><span>Mixtape Nostalgia</span><span> analyzes the role of the mixtape as a site of collective memory tied to youth culture, community identity, and sharing music. The author looks at the history of the mixtape from the early 1980s and the rise of the cassette as a fundamental aspect of the music industry. </span></p>
<p><span>Table of Contents</span></p>
<p></p>
<p><span>Chapter 1 - The Birth of the Cassette</span></p>
<p><span>Chapter 2 - Musical Self-Production</span></p>
<p><span>Chapter 3 - The Mixtape Generation</span></p>
<p><span>Chapter 4 - Analog Nostalgia</span></p>
<p><span>Chapter 5 - Retromania</span></p>
<p><span>Chapter 6 - Kitsch Commodification</span></p>
<p><span>Chapter 7 - Technostalgia </span></p>
<p><span>Chapter 8 - Metaphor and Merchandising</span></p>
<p></p>
<p></p>
<p><span>Jehnie I. Burns</span><span> is associate professor at Point Park University</span></p>

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