Details
Emerging Traditions
Toward a Postcolonial Stylistics of Black South African Fiction in English
124,99 € |
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Verlag: | Lexington Books |
Format: | EPUB |
Veröffentl.: | 10.07.2012 |
ISBN/EAN: | 9780739166956 |
Sprache: | englisch |
Anzahl Seiten: | 348 |
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Beschreibungen
The monograph explores the linguistic impact of the colonial and postcolonial situations in South Africa on language policy, on literary production and especially on the stylistics of fiction by indigenous South Africans writing in English. A secondary concern is to investigate the present place of English in the multilingual spectrum of South African languages and to see how this worldly English relates to Global English, in the South African context. The introduction presents a socio-linguistic overview of South Africa from pre-historic times until the present, including language planning policies during and after the colonial era and a cursory review of how the difficulties encountered in implementing the Language Plan, provided for by the new South African constitution, impinge on the development of black South African English. Six chapters track the course of English in South Africa since the arrival of the British in 1795, considered from the point of view of the indigenous African population. The study focuses on ways in which indigenous authors 'indigenize' their writing, innovating and subverting stylistic conventions, including those of African orature, in order to bend language and genre towards their own culture and objectives. Each chapter corresponds to a briefly outlined historical period that is largely reflected in linguistic and literary developments. A small number of significant works for each period are discussed, one of which is selected for a case-study at the end of each chapter, where it is subjected to detailed stylistic analysis and appraised for the degree of indigenization or other linguistic or socio-historic influences on style. The methodology adopted is a linguistic approach to stylistics, focusing on indigenization of English, inspired by the work of Chantal Zabus in her book, <>The African Palimpsest: Indigenization of Language in the West African Europhone Novel (2007, (1991)). The conclusion reappraises the original hypothesis - that the specific characteristics of South African literary production, including styles of writing, can be related to the political, social and economic context - in the light of many fresh insights; and discusses the place occupied by English in the cultural struggle of the formerly colonized peoples of South Africa.
The book, an academic monograph, is a comprehensive study of the socio-linguistics of black South African literature in English from its beginnings, grounded in historical and political change as befits a postcolonial approach, with the inherent struggles between language and power. Its innovation is that it traces stylistic devices used by successive generations of black writers back to such sources as African orature, indigenous cultures and languages, and indigenization and creolization of South African languages.
Chapter 1 Introduction
<br>Chapter 2 Chapter I: A Period of Optimism (1795-1910): Literacy as the Path to Equality
<br>Chapter 3 Chapter II: Disillusionment Sets In (1910-1948): Black Englishmen and Urban Natives: First Signs of Indigenization
<br>Chapter 4 Chapter III: Under Control (1948-1960): Tsotsis, Tough-talking Journalists from the Urban Ghetto and the Post-Creole Continuum
<br>Chapter 5 Chapter IV: Dislocation (1960-1976): Colored or Creole? Writing 'Between Two Fires' in the Sixties
<br>Chapter 6 Chapter V: Deadlock (1976-1990): The Old is Dying and the New Cannot be Born
<br>Chapter 7 Chapter VI: Breakthrough (1990 and after): Multiple Identities and "Emerging Traditions"
<br>Chapter 8 Conclusion
<br>Chapter 2 Chapter I: A Period of Optimism (1795-1910): Literacy as the Path to Equality
<br>Chapter 3 Chapter II: Disillusionment Sets In (1910-1948): Black Englishmen and Urban Natives: First Signs of Indigenization
<br>Chapter 4 Chapter III: Under Control (1948-1960): Tsotsis, Tough-talking Journalists from the Urban Ghetto and the Post-Creole Continuum
<br>Chapter 5 Chapter IV: Dislocation (1960-1976): Colored or Creole? Writing 'Between Two Fires' in the Sixties
<br>Chapter 6 Chapter V: Deadlock (1976-1990): The Old is Dying and the New Cannot be Born
<br>Chapter 7 Chapter VI: Breakthrough (1990 and after): Multiple Identities and "Emerging Traditions"
<br>Chapter 8 Conclusion
Vicki Briault Manus is a senior lecturer at the University of Stendhal Grenoble 3.